16 Art: Ascension Dome from the Basilica di San Marco (St.12 Art: Zeus of Artemision (also called Poseidon).11 Art: Shiva Vinadhara (Holder of the Lute).10 Art: Aerial View of Notre Dame Cathedral.8 Art: The Garden of Love (Improvisation Number 27).6 Art: Dorsal Headdress (meiityk-re kru wapu).5 Art: Cosmological Diagram (Map of the Heavens) from the Phenomena of Aratus.3 Art: Dance Vest with Esù Staff Figures.1 Art: La Mezquita (Great Mosque) (interior).23 Compare: How Can Art Help Us Come to Terms With Traumatic Memory?.22 Compare: Can Images Lend Authority to Mythic History?.21 Compare: When It Comes to Art, How Do We Define Historical Accuracy?.20 Compare: Why Might Individuals Document Their Personal Histories in Art?.19 Compare: How Can Images Be Used to Structure Historical Narratives?.18 Compare: How Can Pictorial History Support Dynastic Rule?.17 Art: Mulackstrasse 37, Berlin from The Writing on the Wall, Projections in Berlin’s Jewish Quarter.16 Art: Memorial to the Murdered Jews of Europe.15 Art: “Battle of Lanka, between Rama and Ravana, King of the Rakshasas” from the Ramayana.14 Art: “Alexander Fights the Monster of Habash” from the Shahnama.12 Art: American Marines Raising American Flag on Mount Suribachi, Iwo Jima.11 Art: The Triumph of Juliers from the Marie de’ Medici Cycle.10 Art: Untitled, page number 21, from the Arrow’s Elk Society Ledger.8 Art: “Many fall in battle and King Harold is killed” (detail) from the Bayeux Tapestry.5 Art: The Triumphal Arch of Maximilian I.4 Art: Racing Clocks Run Slow: Archaeology of a Racetrack.3 Art: Stu-mick-o-súcks, Buffalo Bull’s Back Fat, head chief, Blood Tribe.
#Red ribbon series#
2 Art: The Railroad Stations Were at Times So Over-Packed with People Leaving that Special Guards Had to Be Called in to Keep Order from the Migration Series.1 Art: Lictors Returning to Brutus the Bodies of his Sons.23 Compare: Why Do We Depict Visionary Experience?.22 Compare: How Do We Represent Dreams in Art?.21 Compare: What Is the Relationship Between Art and Dreams?.20 Compare: How Can Art Represent That Which Is Unseeable?.19 Compare: How Can Imagined Scenes Speak to Real World Concerns?.17 Art: Lintel 25 of Yaxchilán Structure 23.16 Art: Utatane soshi emaki (A Wakeful Sleep).15 Art: Dream, Caused by the Flight of a Bee (Around a Pomegranate, a Second Before Waking Up).6 Art: Women’s Dreamings of the Tanami Desert 2.4 Art: Le Pont-au-Change (The Exchange Bridge, Paris).1 Art: The Night Journey of Muhammad on His Steed, Buraq from the Bustan of Sacdi.21 Compare: What Can Images of Foreigners Tell Us About the People That Make Them?.20 Compare: What Makes a Work of Art Appealing to a Foreign Audience?.19 Compare: How Can Art Aid in the Reconciliation of New and Old Beliefs?.18 Compare: How Can Art Inspire Technical Innovation?.17 Compare: How Can Hybrid Art Define Individual Identity?.16 Art: Our Lady of Cocharcas Under the Baldachin.15 Art: Saltcellar with Portuguese Figures.14 Art: Namban (“Southern Barbarians” in Japan).13 Art: Chûbon no zu (Picture of the Middle Class).8 Art: Portrait of East India Company Official (probably William Fullerton).4 Art: Chi Kan Jo (Wisdom, Impression, Sentiment).3 Art: Pelea de Gallos (Fight of the Roosters).With the Red Ribbon project and others like it in China and around the world, Kongjian Yu hopes to express the changing relationship between people and the landscape in a way that is both ecologically responsible and visually enticing. Plant-filled holes along its length help bridge the gap between natural life forms and modern art. Lit from within, The Red Ribbon glows at night, but even during the day, its vivid color offers a striking complement to its lush green surroundings. However, the diverse, naturally growing vegetation at the site was left largely alone, enhanced only by the planting of four perennial flower gardens. At the same time, in keeping with Turenscape’s philosophy of minimum intervention, it interferes as little as possible in the ecology of the local landscape.Īs part of the river corridor restoration project, old irrigation structures that might prove dangerous to visitors were removed from the area and other waste was cleaned up. Together with the boardwalk that runs beside it, The Red Ribbon offers a place where city dwellers can meet, exercise, relax, or learn about the environment. The Red Ribbon was the solution.Ī simple concept with extraordinary impact, The Red Ribbon is a 1,640-foot-long structure of fiber steel that wends its way along the Tanghe’s curving riverbank. The goal of Turenscape and its founder/president Kongjian Yu was to find a way to meet those demands while at the same time preserving the natural environment and creating a space with a unique design. Like other cities in China, Qinhuangdao is experiencing fast growth and its burgeoning community needed space for recreation.